One of my favorite things about shooting on location is the space you get to play with. Here, the wider angle brings in the depth and warmth of a real living space. The light coming through the windo…
30508 viral
Photography12 months ago
LinkedIn Content Strategy & Writing Style
Food, Beverage, and Beauty/Wellness Photographer for CPG Brands
0 people tracking this creator on ViralBrain
Jennifer Thompson positions herself as a high-level creative partner who bridges the gap between aesthetic photography and strategic asset performance. Her content strategy centers on pulling back the curtain to reveal the technical intentionality behind CPG imagery, moving fluidly from the logistics of "planned chaos" on set to the business necessity of upfront campaign planning. What makes her notable is her refusal to treat photography as a mere service; instead, she emphasizes an ROI-focused methodology where images are engineered for specific digital placements like email and paid media. This creates a compelling intersection of technical craft and marketing consultancy, proving that her value lies as much in her ability to troubleshoot lighting and liquid physics as it does in her foresight regarding how a brand’s visual story will convert.
5.9K
3.8K
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0.2
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One of my favorite things about shooting on location is the space you get to play with. Here, the wider angle brings in the depth and warmth of a real living space. The light coming through the windo…
The best shoots aren’t won on set. They’re won before the camera ever comes out. Because what’s really at stake isn’t just the shoot. It’s how those images perform once they’re out in the world. >on…
This image has been through a couple of evolutions. Originally shot on a black surface with a blue background. I always thought it lacked something, so a couple years ago I gave it a moody refresh an…
Sometimes the backdrop makes all the difference. For this Saltair shot, I could've gone with a plain pink seamless, but I wanted more depth and texture, something that felt a little more elevated. Th…
Shooting on a 95-degree day? No sweat—well, maybe a little. 😅 One overhead photo for Beach Whiskey: three models, a sun-soaked table, and summertime energy you can almost taste. Those cheeky shadows…
Sprinkles, frosting, and a little bit of planned chaos. I love a clean pattern, but I also love breaking it up, so a few bits had to make their way in. That mix of order and imperfection keeps the im…
0.2 posts/week
Posts / Week
35.5 days
Days Between Posts
1
Total Posts Analyzed
LOW
Posting Frequency
10.9%
Avg Engagement Rate
STABLE
Performance Trend
450
Avg Length (Words)
HIGH
Depth Level
ADVANCED
Expertise Level
0.85/10
Uniqueness Score
YES
Question Usage
0.6%
Response Rate
Writing style breakdown
<start of post>
The best light isn't always the brightest.
Sometimes it’s the light you choose to take away.
Because when you’re shooting a product that’s all about texture, the shadows do the heavy lifting. They create the shape, the depth, and that 'reach-out-and-touch-it' feeling.
>on the packaging
>in the social feed
>under the store lights
If you don't control the shadows, the product just sits there. It looks flat. It looks 'cheap'.
For this shot, I used a single large softbox but blocked half of it with a black foam board. It took about ten minutes of micro-adjustments to get the fall-off just right—moving the board an inch left, then an inch right—until the highlights were singing.
Is it a lot of work for one 'simple' bottle?
Absolutely.
But it’s those small details that make the difference between a photo and an asset that actually sells.
Hard light or soft shadows?
<end of post>
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